Flemish painter (b. 1570, Mechlin, d. 1628, Bruxelles) He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London). At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella. Hendrick de Clerck painted sometimes the people in his works. Van Alsloot's work can be regarded as a precursor to modern Landscape art.  Related Paintings of ALSLOOT, Denis van :. | Michelangelo Caravaggio 071 | Jager zu Pferd in oberbayerischer Landschaft | The Good Samaritan | Man with a Glove | The Grand Canal |
Related Artists:
Vasco Fernandes
Vasco Fernandes (c.1475-c.1542), better known as Grão Vasco, was one of the main Portuguese Renaissance painters. Vasco Fernandes was probably born in Viseu, in Northern Portugal, where he began his career in the team of painters executing the main altarpiece of Viseu Cathedral (1501-1506). Between 1506 and 1511 he painted the main altarpiece of Lamego Cathedral. After working in the Santa Cruz Monastery of Coimbra, Vasco Fernandes returned to Viseu and executed a series of altarpieces for Viseu Cathedral, considered his main works. Most of his paintings hang nowadays in the Grão Vasco Museum, in Viseu.
Anton Romako
(October 20, 1832 - March 8, 1889) was an Austrian painter. Anton Romako was born in Atzgersdorf (now a district of Liesing, Vienna), as an illegitimate son of factory owner Josef Lepper and his housemaid Elisabeth Maria Anna Romako. He studied painting at the Academy of Fine Arts Vienna (1847-49) but his teacher, Ferdinand Georg Waldmeller, considered him talentless. Later, he studied in Munich (1849) under Wilhelm Kaulbach, and subsequently in Venice, Rome and London. In the early 1850s he studied privately in Vienna under Carl Rahl, whose style Romako adopted. In 1854 he began travels to Italy and Spain and in 1857 settled in Rome as the favourite portrait, genre, and landscape painter for the local colony of foreigners. In 1862 Romako married Sophie Köbel, the daughter of architect Karl Köbel, and the pair had five children before Sophie left Romako in 1875 for her lover. In 1876 Romako returned to Vienna but failed to re-establish himself against the style representend by Hans Makart and increasingly relied on the charity of such wealthy patrons as Count Kuefstein. He made study trips to Hungary, Italy and France, and during the years 1882-84 he alternated between Paris and Geneva. Two daughters, Mathilde and Mary, committed suicide in 1887; Romako had never recovered from the shock. His last years were spent living in neglect near Vienna, where he died in poverty in 1889. Romako was buried at the Central cemetery in Vienna. In 1953 a street in Atzgersdorf was named after the painter: Romakogasse. Anton Romako's painting "The battle of Lissa" was selected as a motive for a recent commemorative coin: the 20 euro S.M.S. Erzherzog Ferdinand Max minted on September 15, 2004. His brother, Joseph von Romako, was a Naval Architect-Inspector of Austro-Hungarian Navy.
H.Chr.Jensen